
His most famous yacht, Myth of Malham, was nominally designed by Laurent Giles, but it is no secret that Illingworth himself conceived the general outline of the boat, with its abruptly short ends, relatively light displacement and, above all, its groundbreaking rig with big masthead foretriangle and high aspect ratio mainsail. Jack Laurent Giles begged to be allowed to draw longer overhangs, but was firmly overruled. He complained that the proposed mainsail was too short on the foot and looked more like a flag than a sail, but Illingworth insisted, and Myth of Malham went on to be one of the most successful ocean racing boats of all time.

Many of the firm's early clients were French. Illingworth spoke fluent French and loved the country. He encouraged and assisted in the founding of the enormously influential Glenans sailing school, where hundreds of young Frenchmen learned to sail – and to become instructors themselves. He was commissioned to design a yacht for the Glenans school, the building of which was put under the supervision of Philippe Harle who worked at the Glenans at the time. This experience so stimulated Harle that he immediately gave up his job at the school and set up as a yacht designer himself.

The original Maïca, like the Belmore design, had a transom stern. She was so admired and so successful, winning the RORC Class III championship in 1962 that soon further examples were built in Britain and in France, but when Illingworth sold the plans for the Maïca to Constructions Mécaniques de Normandie at Cherbourg, Felix Amiot, the owner of the yard, insisted that the design should be modified with a counter stem. Apparently this was because M. Amiot wanted a Maïca for his own personal use and he preferred the elegant look of a counter stern.


With so many international racing successes and long voyages, the class also made a name for itself in Mediterranean waters and it was not long before a couple of Italian yards obtained licences to build slightly modified versions. One Italian version, of which I believe over a hundred examples were built, was in GRP with a modified fin keel and skeg underwater profile.

LOA: 10.08m (transom), 11.06 (counter)
LWL: 7.32m
Beam: 2.74
Draft: 1.74
Displacement: 5300Kg (approx)
(photo: The elegant stern of one of the counter stern Maïcas, recently sold by Sandeman Yacht Co.)
Links:
Class Maïca (Acknowledgements to this French website for much of the history and most of the above photos)
Saba - a French owned Maïca.
If you want to sail a Maïca, see Saba's cruising and regatta programme
Another Smart post from you Admin :)
ReplyDeleteHi,
ReplyDeleteThere were some Super Maica built in Quimper by Robert Craff around the early sixties. Unfortunately for whatever reason, they never seem to appear in Maica histories such as this. Can anybody shed any light on this forgotten branch of Maica?
Great post - do you have any information about the Toquade (sometimes called Tocade) design? A number were built in Australia
ReplyDeleteInteresting comments on Myth of Malham and her design. Eventually Giles did get to make those changes on another boat - Fandango. He was approached by a rival of Illingworth (Maj Gerald Potter) to design a boat to take on Myth in the '49 Fastnet. Fandango was built at Moodys and launched in July '49. She is very similar to Myth but with longer overhangs and a more conventional rig. Her sailing performance is probably about equal based on race results of the time - but Giles' changes had a disastrous effect on the RORC rating. As well as the dimensional changes themselves being negative, the longer length turned a scantling bonus for Myth into a penalty for Fandango so it was all a bit of a disaster for Potter and he sold her on at a big loss. The next owner, Dick Scholfield did race her quite successfully in the 1950s. I am the current owner - she is being restored at IBTC in Portsmouth.
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